Ep 6: P’Graph- The trope of the troupe.

usa-flagImprov troupes come and improv troupes go. We shuffle and bounce from idea to idea. But Austin quartet Parallelogramophonograph are a rare bird. A troupe that has not only stayed together for over 300 shows, but continues to thrive on story styles and  narrative sets powered by a vigilant ethos of self inspiration.

French Farce anyone? PGraph from L to R: Valerie Ward, Kaci Beeler, Roy Janik and Kareem Badr

TFPC Ep6 -PGraph – The Trope of the Troupe

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In a thriving Austin improv community, P’Graph stands tall. In addition to performing their own  weekly show, they blend and play in the many other shows and troupes that patrol the Austin scene and Hideout Theatre, a theatre, incidentally, that members Roy Janik and Kareem Badr run and Kaci Beeler designs for.

Here, they speak of their history and the collective sensibility that has developed over their years together. The P’Graph way.

The freedoms and burdens of genre, the thrill and opportunity of festival travel and the challenge of staying true to their vision while remaining open to change.

Also, what does it mean, really mean, to be inspired by  audience suggestion? Do you leap, or lurch at onstage intimacy and just how does one  keep the vigour in the craft with such a heavy schedule?

P’Graph.

Ep 6.

LINKS FROM SHOW

P’Graph’s website.

The Hideout Theatre

Video of Kaci and Kareen performing with Patti Stiles and Sean Fabri from Impro Melbourne

Feature artist, The Spaces website

The Spaces music on iTunes

Show Notes and Corrections:

This podcast is an edit of a two and a half hour interview conducted via Skype in Feb from New York.

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Ep 2: Patti Stiles -Inspire Your Partner (Part Two)

In the second of this two-part episode, we delve deeper into the philosophy of Inspire your partner, and discover that perhaps, there is more to it than we think.

Inspire Your Partner: Part II

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Patti in flight. Die-Nasty Soap-a-Thon, 2010. Image and copyright: Janna Hove


We also explore moral investment in scene-work.  Does improv pursue it with due vigour or flee with a comedic whimper?

We revisit Patti’s early days at The Loose Moose and the touchstones of her improv, along with  the madness of the Edmonton soap-a-thons and the narratives that noodle from performers who haven’t slept for two days.

Mischief, trust and exploration. How important are they to creating stories?

Soaps, melodrama and genre in general. What are the freedoms and snares that inhabit their frameworks…and why?

Death in a Minute anyone? What do improv games offer us, and us them?

And a lovely song from feature artist, Hello Satellites.

LINKS FROM EP. 2.

Hello Satellites

Wikpedia entry for Die-Nasty.

NOTES

One new way to pronounce, “Johnstone,” and several for “genre.”

No corrections as yet.